翻訳と辞書 ・ Back from the Dead (Obituary album)
・ Back from the Dead (Spinal Tap album)
・ Back from the Dead (Zombie Girl EP)
・ Back from the Dead 2
・ Back from the Edge
・ Back from the Front
・ Back from the Gig
・ Back from the Grave
・ Back from the Grave (series)
・ Back from the Grave, Volume 1 (CD)
・ Back from the Grave, Volume 1 (LP)
・ Back from the Grave, Volume 10 (LP)
・ Back from the Grave, Volume 2 (CD)
・ Back from the Grave, Volume 2 (LP)
・ Back from the Grave, Volume 3 (CD)
・ Back from the Grave, Volume 3 (LP)
・ Back from the Grave, Volume 4 (CD)
・ Back from the Grave, Volume 4 (LP)
・ Back from the Grave, Volume 5 (LP)
・ Back from the Grave, Volume 6 (LP)
・ Back from the Grave, Volume 7
・ Back from the Grave, Volume 8 (CD)
・ Back from the Grave, Volume 8 (LP)
・ Back from the Grave, Volume 9 (LP)
・ Back from the Grave, Volumes 1 and 2 (CD)
・ Back from the Grave, Volumes 3 and 4 (CD)
・ Back from the Grave, Volumes 5 and 6 (CD)
・ Back from the Grave, Volumes 9 & 10 (CD)
・ Back from the Klondike
・ Back from the Tomb
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| Back from the Grave, Volume 3 (LP) ： ウィキペディア英語版 |
Back from the Grave, Volume 3 (LP)
''Back from the Grave, Volume 3 (LP)'' is the third installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records. It was released in 1984. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Mid 60s Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals.〔〔 - LP Liner notes and cover artwork.〕 The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll.〔〔 The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides.〔 The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music.〔〔 The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "drop in a pit" all adherents of supposedly "heretical" pop and progressive music which have come to prominence over the years.〔〔
The set begins with "Be My Queen" by the Chentelles from Western Michigan.〔〔 "I've Got Something to Say," by the Interns from Akron, Ohio, received a regional airplay, and the group even made a local TV appearance.〔 The Monacles from Orange County, California also appeared on a local TV show in their area and perform "I Can't Win."〔 "Don't Cry to Me," by Jerry & the Others, from Dayton, Ohio is set to pounding Bo Diddley rhythms and scintillating guitar parts.〔 Murphy & the Mob from Tyler, Texas sing the highly despondent "Born Loser," which was released on Talisman Records in 1966.〔 The set ends with "You Can't Make Me," by the Montells from Miami, Florida, who had previously recorded as H.M. Subjects (Her Majesty's Subjects).〔〔
==Track listing==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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